Abroad: Outrage At Cartoons Still Tests The Danes

AARHUS, Denmark — “I think this is safe house No. 5,” Kurt Westergaard said the other day, and it was clear that he genuinely had lost track.

Last month the Danish police arrested two Tunisians and a Dane of Moroccan descent on charges of plotting to kill Mr. Westergaard, one of the 12 cartoonists whose pictures of Muhammad in the Danish newspaper Jyllands-Posten sparked protests, some of them violent, by Muslims around the world in 2006 and put bounties on the heads of Mr. Westergaard and his editor, Flemming Rose. Mr. Westergaard (he drew Muhammad with a bomb in his turban) has been in hiding ever since.

Americans, for whom the presidential election seems to have become a delirious, unending sport, preoccupying their attention, turn out not to be the only ones who preferred to forget about the cartoons. So had many Danes and fellow Europeans. They were shocked by the arrests.

In the days shortly after, 17 Danish newspapers, having declined to publish the offending cartoons two years ago, declared solidarity with Mr. Westergaard and printed them. This, naturally, provoked a fresh round of protests from Gaza to Indonesia.

In Egypt the speaker of the Parliament claimed Danes had violated the Universal Declaration of Human Rights, which seemed a little rich coming just a few weeks after the European Parliament, which itself complained about the cartoons’ re-publication, condemned Egypt for the sorry state of its human rights.

Meanwhile demands in Afghanistan for the instant withdrawal of Danish troops under NATO’s command and the severing of all diplomatic ties with Denmark caused Denmark’s foreign minister, Per Stig Moeller, to reply that it was becoming difficult for him “to put Danish soldiers’ lives in danger” to support a country “where one is at risk to be condemned to death for values that we believe to be an inseparable part of democracy and the modern world.”

And then, while it still seemed just a Danish problem, trouble spread. A gallery in Berlin was shut because an exhibition of satirical art by a Danish group called Surrend, which has previously produced works mocking neo-Nazis, caused several angry Muslim visitors to threaten violence unless a poster depicting the Kaaba, the shrine in Mecca’s Grand Mosque, was removed.

Two years earlier, in the wake of the original cartoon imbroglio, a Berlin opera company canceled performances of Mozart’s “Idomeneo” when police warned the company that a scene with the severed head of Muhammad, among other religious figures, posed “incalculable risk” to the performers and audience. Cries of self-censorship erupted across Europe.

This time around Germany’s interior minister, Wolfgang Schäuble, a politician who has been conspicuous in working to improve relations with Muslims in Germany, was reported to have urged other newspapers in Europe to reprint the cartoons, a remark he strongly denied making, which made no difference to the Saudi newspaper Al-Watan.

“The German minister is required to immediately withdraw his statement,” Al-Watan demanded. Racism, not freedom of speech, was obviously behind Germany policy, the newspaper added. After all, Germans aren’t free to “discuss the Jewish Holocaust.”

And everybody knew what that meant.

Now many Europeans seem fed up. Over dinner in Copenhagen recently, Mr. Rose, who has made something of a second career out of the cartoon fallout, said it all came late but was inevitable.

“At the time, in 2006, there were good journalistic reasons for other newspapers to publish the cartoons because few people had seen them then, so they were news,” he said. “Now the journalistic justification is almost nonexistent because everyone knows what they look like, so it’s more about solidarity than about news.”

Unlike Mr. Westergaard, Mr. Rose doesn’t live in safe houses, although he long ago removed his name from the local telephone directory and has learned that a different Flemming Rose (there are apparently several in Denmark) decided to change his name.

“It was not about mocking a minority but a religious figure, the Prophet, so it was blasphemy, not racism,” Mr. Rose said of the cartoons. “The idea of challenging religious authority led to liberal democracy, whereas the singling out of minorities, as minorities, led to Nazism and the persecution of the bourgeoisie in Russia. So this distinction is crucial to understand.”

Tag Cloud

External Information

Additional Information

Where Am I?